
If your house is like ours, there are certain movies that you watch again and again. The test of a movie like that is if you’re flipping through the channels on TV and you see a favorite movie and you start watching it all the way through from that point forward. I have to confess that
Talladega Nights: The Ballad of Ricky Bobby is one of those for me. I like really stupid humor. However, one that my wife and I can both agree on is
The Devil Wears Prada with Meryl Streep and Anne Hathaway. It’s a fun movie on a lot of levels not the least of which is Streep’s performance in which she sends up the real life editor of
Vogue magazine, Anna Winotur. If people in real life are as scared of Wintour as people were of Streep in the movie, then she must have a lot of power. From what I’ve read, Wintour’s power comes from her control over
Vogue which, historically, has set the agenda for the multi-billion dollar fashion industry.

So, it was with the
Prada movie in mind that I
read an article in the New Yorker last night on a web site called
Polyvore. The simplest way to describe Polyvore is that it’s an online destination for over 6 million visitors a month to cut and paste clothes they see elsewhere online into sets of items that they think look good together. As someone in the article said, it’s like the cyber version of playing with paper dolls.
For me, the article was interesting because of the larger implications it held for leaders in the digital age. Not to oversimplify, but it seems like the command and control leadership style exhibited by Streep/Wintour in the
Prada movie is a relic of the analog age. The people behind Polyvore seem to have figured out what it takes to engage and lead people in the digital age. Here are a few of the ways I think they’re doing it:
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